Stunning . . . Galgut deploys every trick in the book; he's heart-swellingly attentive to emotional complexity . . . -- Anthony Cummins ― Observer Galgut seems to deliver effortlessly...there's nothing he can't do... [his] style is quiet but the book feels bursting with life because of all the of all the off-page, between-times details he hints at... This is so obviously one of the best novels of the year... a book that answers the question "what is a novel for?" With a simple: "This!" -- John Self ― The Times The Promise functions as a spare but thoroughly satisfying parable, the decline of the Swarts into moral degeneracy and death tracing the forsaken promises of the post-apartheid era, from early hope to the contemporary realities of corruption and racial enmity . . . [a] magisterial, heart-stopping novel -- Nat Segnit ― Times Literary Supplement A complex, ambitious and brilliant work - one that provides Galgut's fullest exploration yet of the poisonous legacy of apartheid . . . Galgut describes his characters with rare assurance and skill, conjuring them to life in a narrative voice that moves restlessly from character to character . . . Rarely have I had such a strong sense, while reading a novel, that I myself was there, in the room with the characters -- William Skidelsky ― Financial Times The Promise is fully rooted in contemporary South Africa, but the novel's weather moves into the elemental while attending also to the daily, the detailed and the personal. The book is close to a folktale or the retelling of a myth about fate and loss, about three siblings and land, a promise made and broken. The story has an astonishing sense of depth, as though the characters were imagined over time, with slow tender care -- Colm Tóibín Damon Galgut's The Promise is about an unfulfilled but promising life and about the repeatedly broken promises by a white family to a black household worker. With unostentatious virtuosity Galgut - one of the world's great writers - enters the minds of all his characters, rich or poor, white or black, male or female, even the thoughts of a homeless man beset by visions. The language has a Flaubertian clarity and the intimate knowledge of the family is matched by an authoritative understanding of South Africa's complex history. This is the most important book of the last ten years -- Edmund White Remarkable . . . The Promise suggests that the demands of history and the answering cry of the novel can still powerfully converge . . . the novel's beautifully peculiar narration aerates and complicates this fatal family fable, and turns plot into deep meditation . . . Galgut is wonderfully, Woolfianly adept at moving quickly between characters' thoughts -- James Wood ― New Yorker